{"id":250,"date":"2017-06-27T04:36:47","date_gmt":"2017-06-27T04:36:47","guid":{"rendered":"http:\/\/paulgazzola.org\/?page_id=250"},"modified":"2017-11-02T13:20:56","modified_gmt":"2017-11-02T13:20:56","slug":"the-dancing-body-of-the-future-part-2","status":"publish","type":"page","link":"https:\/\/paulgazzola.org\/?page_id=250","title":{"rendered":"THE DANCING BODY OF THE FUTURE &#8211; PART 2"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-173\" src=\"https:\/\/paulgazzola.org\/wp-content\/uploads\/2017\/06\/EBEMU.png\" alt=\"\" width=\"617\" height=\"351\" srcset=\"https:\/\/paulgazzola.org\/wp-content\/uploads\/2017\/06\/EBEMU.png 617w, https:\/\/paulgazzola.org\/wp-content\/uploads\/2017\/06\/EBEMU-300x171.png 300w, https:\/\/paulgazzola.org\/wp-content\/uploads\/2017\/06\/EBEMU-370x210.png 370w, https:\/\/paulgazzola.org\/wp-content\/uploads\/2017\/06\/EBEMU-160x91.png 160w\" sizes=\"auto, (max-width: 617px) 100vw, 617px\" \/><\/p>\n<p style=\"text-align: justify;\">Presented by Critical Path and <em>ISEA2013<\/em> in partnership with Performance Space.<br \/>\nCarriageworks, 18 \u2013 20th June, 2017<\/p>\n<p dir=\"ltr\" style=\"text-align: justify;\">Since 2010 Paul Gazzola has been collaborating with French\/UK artist Paul Granjon on <a href=\"http:\/\/www.ebemu.com\/\">EBEMU<\/a> the <em>Experimental Body Extension Manufacturing Unit<\/em>, which premiered at Campbelltown Arts Centre in 2012. Through EBEMU, ideas about physical body extensions are explored and prototypes of Wearable Hybrid Body Augmentations, partly made from discarded materials, are constructed.\u00a0EBEMU investigates the performativity of new human\/machine relations and the emotional\/physical states that are inherent within such new forms.<\/p>\n<p dir=\"ltr\" style=\"text-align: justify;\">In 2012 Paul Gazzola began a series of choreographic investigations to explore these built prototypes as performance initiating devices.<\/p>\n<p dir=\"ltr\" style=\"text-align: justify;\"><a href=\"http:\/\/www.isea2013.org\/wp-content\/uploads\/2013\/01\/CRITICAL-PATH.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1486\" src=\"http:\/\/www.isea2013.org\/wp-content\/uploads\/2013\/01\/CRITICAL-PATH.png\" alt=\"CRITICAL-PATH\" width=\"117\" height=\"58\" \/><\/a>\u00a0\u00a0\u00a0\u00a0 <a href=\"http:\/\/www.isea2013.org\/wp-content\/uploads\/2013\/01\/Performanc-Space.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-2561\" src=\"http:\/\/www.isea2013.org\/wp-content\/uploads\/2013\/01\/Performanc-Space-1024x199.png\" alt=\"Performanc Space\" width=\"138\" height=\"26\" \/><\/a>\u00a0\u00a0\u00a0 <a href=\"http:\/\/www.isea2013.org\/wp-content\/uploads\/2013\/01\/CARRIAGEWORKS.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1482\" src=\"http:\/\/www.isea2013.org\/wp-content\/uploads\/2013\/01\/CARRIAGEWORKS.png\" alt=\"CARRIAGEWORKS\" width=\"154\" height=\"53\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Presented by Critical Path and ISEA2013 in partnership with Performance Space. Carriageworks, 18 \u2013 20th June, 2017 Since 2010 Paul Gazzola has been collaborating with French\/UK artist Paul Granjon on EBEMU the Experimental Body Extension Manufacturing Unit, which premiered at Campbelltown Arts Centre in 2012. Through EBEMU, ideas about physical body extensions are explored and prototypes of Wearable Hybrid Body&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":37,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-250","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/paulgazzola.org\/index.php?rest_route=\/wp\/v2\/pages\/250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paulgazzola.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/paulgazzola.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/paulgazzola.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paulgazzola.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=250"}],"version-history":[{"count":8,"href":"https:\/\/paulgazzola.org\/index.php?rest_route=\/wp\/v2\/pages\/250\/revisions"}],"predecessor-version":[{"id":638,"href":"https:\/\/paulgazzola.org\/index.php?rest_route=\/wp\/v2\/pages\/250\/revisions\/638"}],"up":[{"embeddable":true,"href":"https:\/\/paulgazzola.org\/index.php?rest_route=\/wp\/v2\/pages\/37"}],"wp:attachment":[{"href":"https:\/\/paulgazzola.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}